$750 each, or $1000 for the pair.
Made in USA.
This is a very hgh-quality, solid guitar from the early 1900s.
Nine-string guitar, in the realm of a harp-guitar.
Strong and tight in every respect and it is a truly wonderful instrument.
Totally coveres in hand-tooled leather. Case too.
You can call it a project.
It needs only a new home and a willing participant.
“Gravé par Thérese”
An ultra-cool, pre-war lap steel guitar with an all-cast-aluminum body.
Made in Brooklyn.
This has got to be the most perfect non-Martin-made copy of a Martin guitar I’ve ever seen.
Gorgeous Brazilian rosewood back and sides, a beautiful ultra-fine-grained spruce top, ebony fingerboard & bridge.
The equivalent of their matching A-4 mandolin of the day.
A fab icon of the Sputnik years.
With a label inside that reads O. PAGANI & BROS / 289 BLEECKER ST / NEW YORK / FABRICANTI / DI / STRUMENTI / ARMONIOCI.
From the operations of the world's first-known guitar factory.
An important historical piece, and perhaps as a restoration project.
Six of them. Complete, never used, and in perfect, mint condition.
Nice and unaltered.
We have here a gen-you-wine Third Man Brand Zither, in its original box, complete with playing instructions in English and Italian.
Martin’s very best nylon-string guitar.
It’s seen some better days but it is eminently restorable.
Made at the Madison Prison workshop.
From just-post-Occupied Japan.
An original inlaid fingerboard for a 1930s Gibson RB-1 five-string banjo.
By Henry Schatz, an early partner of CF Martin in New York.
A mid-19th century French guitar, probably from the 1840s-50s, with stunningly engraved mother-of-pearl border around the entire top.
This instrument is 100% original in every little detail.
Absolutely lovely, elegant yet understated.
One of Martin’s better mandolins of the day.
This one is quite complete.
With Wm. B. Tilton’s patent “improvement" installed.
Somewhat the worse for wear though eminently restorable.
This is one of the very last of the beautiful Martin bowl-back mandolins.
Quite nice and quite intact.
A little TLC this will make a beautiful, playing instrument.
Gorgeous yet understated bird’s-eye maple back and sides.
This is one of their better ones.
This is the most gorgeous, most elaborately hand-engraved mother-of-pearl inlaid and decorated guitar we have ever come across.
Stunning Brazilian rosewood back and sides, one of the most even-grained spruce tops we’ve ever seen.
Representing the Columbian Exposition in Chicago.
One of Carlo Greco's last guitars.
A lovely-sounding mandolin, pure and strong and has a perfect action.
An esoteric Americn solidbody guitar.
No shipping for this one, pick it up in-store only.
© 2017 Umanov Guitars