Possibly from an original Stella twelve.
All three complete with studs and anchors.
From the “The Brass Age”, the glorious 1970s-80s.
Terrific vintage tortoise-shell look and pattern and definitely not a nitrate.
All at least thirty years old.
May have come from an American Harmony guitar.
All four for only $95.
Apparently never used.
Could be from a Stella.
Of mysterious origins and all extremely cool.
All nicely nicklel-plated.
One of the very nicest, and very rarest sets of 19th-century Martin tuning machines.
These have the typical Martin gear spacing of 2-5/8”.
These have got to be 50-100 years old and never used.
Comes with four original saddles, three original saddle holders, two original saddle thumbscrews.
But wait, there’s more!
Complete set of eight.
Maybe from a Burns?
An absolutely beautiful, mid-19th century complete set of tuners for a slotted-peghead guitar.
A most beautiful and clean set of Seidel tuning machines.
If you’ve got a 19th-century Martin with its original tuners missing these might be just the set for you.
This set is unmolested and in fine working order.
Six original ivory buttons.
This is an eminently restorable set.
From a top-grade American 1910s-30s guitar.
Four bass side, two treble side.
New in packaging.
A beautiful set of plates with unique bone buttons.
Used on Gibson RB-100, RB-150, RB-170, RB-175.
Gold-plated, one treble side and two bass side.
Restore your classic Epiphone as it deserves to be.
Beautiful condition, ultra-clear lettering, plating 100% intact.
Chrome-plated with traditional removable hinge portion.
Tailpiece from an Elite model.
They measure 5990Ω and 6387Ω respectively.
All saddle height, bridge height and intonation screws present and turning freely.
Six of them. Complete, never used, and in perfect, mint condition.
Original set of Kluson Deluxe tuners as used on 1950s-60s Fender Mustangs, Musicmasters, etc.
Untouched, in packaging.
With bonus Fender Jaguar/Jazzmaster bridge cover.
New in box, never used.
These are a very rare find.
Probably from a TB-3.
With one broken worm.
Perfect and unused.
Also perfect for ES-150 & many other Gibson archtops, both electric and acoustic, of the 1940s-60s
For Gibson ES-175 or L-7 from the 1950s-60s.
Never used, nice and clean, beautiful original Gibson chrome plating.
Never used, nice and clean, beautiful original Gibson gold plating.
Never used, nice and clean, all in nickel.
An original, unused Brazilian rosewood Gibson bridge for a J-185.
Brazilian? Are you serious? We are.
Original from Gibson back then, never used and totally clean and perfect.
From a rare J-35 or pre-war J-45 guitar.
Original, never used, fresh.
This is an original, straight-from Gibson, rosewood bridge for a J-45 or J-50 ADJ guitar.
Never used, mint perfect condition.
Restore your 1960s Gibson to its original glory.
Made for the Johnny Smith pickup.
Pre-war Brazilian rosewood bridge.
Pre-war Brazilian rosewod bridge with saddle.
Complete Pearloid-covered fingerboard from a 1930s Gibson LC “Century of Progress" guitar.
Never used, perfect condition.
The real deal, not Asian copies.
Made for Gibson's famous “Mark Series” models such as "Mark-72" etc.
Original mother-of-pearl block with MASTERTONE hand-engraved.
Saddles notched for 12-string guitar.
Chamfered pin holes along the straight side.
Non-chamfered pin holes along the straight side.
Still sealed and blister-packed.
Uesed and clean, saddles notched.
All with "ears".
Also one chrome trem-arm tailpiece bar.
Polished Gibson bone saddle still in it.
For just about every application one could want for a Gretsch.
Four Gretsch pickguards and fifteen Gretsch pickup surrounds.
As used on literally hundreds of Martin guitars of that era.
Nickel plated, with all six original hex bushings.
Three perfectly and smoothly working tuners plus threaded bushing and washer from another.
All original nickel plating.
American made, 6-on-a-side.
With original installation screws.
Two treble side and one bass side.
Indispensable for a restoration job.
For Super 400s, L-5s, all Gibson top-line archtops.
Complete with all six bushings and 12 mounting screws.
The very earliest examples of these I have seen.
Two treble side and three bass side, the sixth is treble-side, with Fender-style slotted post.
Two treble and two bass.
Complete with bushings.
One bass, two treble.
Most unusual, seem to hardly ever have been used.
Shafts factory drilled for either solid or slotted peghead guitars.
Made for Gibson.
Tight and straight.
All seven bushings included.
Kluson "no-line" tuners.
Backs stamped KLUSON MFG CO CHICAGO ILL PAT 2132792.
All tight, all clean, no buttons.
Buttons are beautifully and professionally replaced.
Both treble side.
KLUSON MFG CO CHICAGO ILL PAT APPLD FOR stamped into back of both plates.
Two treble and two bass side.
All bass side.
They don’t make 'em like this anymore.
This is a never-used Martin D-28 neck blank.
Unused, never notched.
With perfect “blues patina”.
Works quite well.
Allen wrench for adjusting intonation included.
Marked ORIGINAL horizontally and GIBSON vertically on their covers.
All solid, all tight, all clean; one treble side and two bass side.
USA made for Mustangs and DuoSonics.
For 12-string guitar with solid peghead.
As used on Martin D12-20 guitars and many others.
100% complete, with all original brass gears & blued gear screws with nice clean slots.
All six original gear screws present with clean slots.
20% PRICE DROP
They seem to be unused.
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